I really didn't know what to think about the veil. Deep down I was very religious but as a family we were very modern and avant-garde. I was born with religion. At the age of six I was already sure I was the last prophet. This was few years before the revolution.

I love the French for their sarcasm, their irony. I love them for their bad moods.

The Germans sell chemical weapons to Iran and Iraq. The wounded are then sent to Germany to be treated. Veritable human guinea pigs.

Revolutions just spread blood. Evolution - this is something that changes in the long term. Because history is long term. But today, we don't talk about history. The past is two weeks ago, and the future is two weeks after.

Writing is not for me. I completely lose my sense of humor when I write. I become extremely pathetic, very sensational. Images give me possibilities that I don't have with words.

I don't believe in the clash of cultures. The culture is one. The culture is a ring off the same chain. Picasso was very much influenced by the African arts, and he influenced a whole other generation of artists. So everything influences everything.

I wrote the plot [for the Persepolis ]and Vincent [Paronnaud] and I wrote and discussed the shooting of the script. Vincent then took care of the production design, the actual shooting, and what was going on within each scene. It's very difficult, though, to draw a line between who did what. Because Vincent would say something, and I would add something, and at the end you have this film, yet no clear idea of who did what.