Words began fights and words ended them.

A man'll seem like a person to a woman, year in, year out. She'll put up and she'll put up. Then one day he'll do something maybe no worse than what he's been a-doing all his life. She'll look at him. And without no warning he'll look like a varmint.

You can't change a man, no-ways. By the time his mummy turns him loose and he takes up with some innocent woman and marries her, he's what he is.

Hemingway, damn his soul, makes everything he writes terrifically exciting (and incidentally makes all us second-raters seem positively adolescent) by the seemingly simple expedient of the iceberg principle - three-fourths of the substance under the surface. He comes closer that way to retaining the magic of the original, unexpressed idea or emotion, which is always more stirring than any words. But just try and do it!

it is my conviction that the personality of the writer has nothing to do with the literate product of his mind. And publicity in this case embarrasses me because I am acutely conscious of how far short the book falls of the artistry I am struggling to achieve. It's like being caught half-dressed.

No, I most certainly do not think advertising people are wonderful. I think they are horrible, and the worst menace to mankind, next to war; perhaps ahead of war. They stand for the material viewpoint, for the importance of possessions, of desire, of envy, of greed. And war comes from these things.

Two elements enter into successful and happy gatherings at table. The food, whether simple or elaborate, must be carefully prepared; willingly prepared; imaginatively prepared. And the guests - friends, family or strangers - must be conscious of their welcome.