I've seen a tremendous shift especially in indie comics. I see all these young women who are out there creating. They're making these great web comics. Their graphic novels are getting published. They're making all this wonderful art. They're powerful. There's this vital energy about it that's really, really beautiful that years ago I knew existed but I didn't see so clearly.

I've been going to San Diego's Comic-Con every year since 2007 or 2008. The first time I went it was an overwhelming experience because I wasn't expecting all the people; I wasn't even expecting all the joy. I came from a background where, when I was about eighteen or nineteen, I found comic-book fandom. But it was the fandom of online communities. And within those communities there was a tremendous amount of excitement and joy, but I'd never been around people in such a large group setting where this joy was pouring out of them. It was a revelation.

The important thing about doing art and writing is that we are using our voices and using them really, really loudly. And to any girls or young women who want to write comics, I tell them, "You have to use your voice. You have to take up space." We have to fight to be heard. No one else is going to fight for us.

Moscow was, as some said, the most beautiful mistress a man could ever want, but never cross her: like any good woman, she might just cut off your balls for the hell of it.

Nice characters are boring! I like writing upbeat characters - that's my natural tendency.

The extraordinary thing about comic books and graphic novels is that they cannot exist without the art. If my words disappeared tomorrow, well, whatever. This is a visual medium in which the eye and the mind work together to bear witness to story, to lives.

Miracles pass and I see. Great wonders speak and I listen.