I've kept voluminous diaries since I was eighteen, and do a lot of experimental writing.

Often the energy of a piece is more exciting to me than the subject.

Time and space, and freedom. That's what I want most. Isn't that true for all of us?

You set your reality and carefully construct it so that it has a certain feeling, an energy. That's the vital, visceral thing about making an illustration.

My parents were into 40s big band stuff, and my father was a great dancer to that kind of thing. But rock 'n' roll? No. I wanted a guitar, but my mother didn't really want me to have one. At some point I played a violin, but I didn't last long at that.

Like everyone, I want to make my own "fine art."

I like to follow my own muse.