What did you think, that joy / was some slight thing?

It's unsettling, to lose the safety of the familiar, even when what's disrupted is an ordinary routine. When I began this poem, I was grieving for the loss of my old barbershop in Manhattan, and wondering at the strangeness of my new one. I didn't have any idea the poem would break into the underworld, opening a deeper subject: the continuing force of the old griefs routine helps to mediate, and my strange, sheer wonder at my own survival. Where's home now? In the contingent present, in which anything can disappear, and where we're sometimes granted some form of grace.

Even sad stories are company. And perhaps that's why you might read such a chronicle, to look into a companionable darkness that isn't yours.

To choose to live with a dog is to agree to participate in a long process of interpretation, a mutual agreement though the human being holds most of the cards.

Into the paradise of euphony, the good poet must introduce hell. Broken paradises are the only kind worth reading.

'Everything beautiful occurs when the body / is suspended,' Helena Mesa quotes a performance artist who hangs his own pierced body in the air. Mesa's poems are artfully suspended between lyric and narrative, between humans and animals, between Latin America and the U.S., between desire and the difficulty of its fulfillment. Horse Dance Underwater is an inventive, musical, and powerful debut.

Here and gone. That’s what it is to be human, I think—to be both someone and no one at once, to hold a particular identity in the world (our names, our place of origins, our family and affectional ties) and to feel that solid set of ties also capable of dissolution, slipping away, as we become moments of attention.