I mean, it really has a lot to do with who is actually physically doing a lot of talking. And we've just noticed that as we've evolved we're still making all the decisions from this, like, "cave."

If we have anything to offer, as filmmakers and as TV makers now, it's this ability to feel as close to a documentary as you can get in a narrative form.

I mean, it really has a lot to do with who is actually physically doing a lot of talking. And we've just noticed that as we've evolved we're still making all the decisions from this, like, "cave."

I know, we can barely fit them in. That is a big challenge. Treating four lead characters equally, within a 30-minute format, is definitely challenging.

We allow the actors to do whatever they need to do or say to accomplish the goals that they want to accomplish.

I really like Jason Blum a lot. We're friends, and while we make wildly disparate films, we share a philosophy about low-budget filmmaking, about taking chances on young filmmaking, taking risks and obliterating our salary so we can make something cheaply and if it wins everyone wins big.

I go to therapy once a week, that helps a lot. I have a really supportive family. I have two little kids, I'm married, I live close to my parents, my brother and his wife. I don't socialize a lot. I work and I have my kids, basically. I'm just, I would say, with all false modesty aside, I'm ruthlessly efficient with my time.