When you're writing a 25-minute episode that can be anything, sometimes you just start with a character, and you let them walk into the room. Then you let your instinct guide you. That's how we made art when we were 15 years old. And that's so fun to us.

When you're improvising, it's fun to find something that you can lean on that is similar to your life experience. In my opinion, that's very helpful.

It's not so much less pressure, it's less work, which is really exciting to me. I'm just personally looking forward to being able to spend a little more time doing different things, so that's really great. Jay and I are writing a book this year which is really fun and so yeah, I am very excited to spend less crazy 12-hour days on set. Those were taxing times.

We get to get into the nitty-gritty and the minutiae of the way they relate now, and that's really valuable. We just have to make sure we don't repeat ourselves and we plot this thing so it doesn't dead end too much, and so that's the challenge really. It's like, how do you keep those balls in the air and make it exciting still?

A TV show is an open universe, whereas a film is more of a closed universe. No disrespect to movies, there's just a lot of artifice in closing out emotional storylines after 90 minutes.

We've shot with babies and kids and it was tough. It's not easy. It looks tangential, but it is not.

I'll do any kind of movie, as long as it's a good version of it.