You can always expect tragedy as well as adventure; that's just how it goes.

It was all quite ghastly and I was very fond of it.

Fear is an underrated emotion. And that's why I think it's very dangerous to try and cosset children from it. A healthy scare is as good as as a healthy laugh. In fact, they're two sides of the same coin. There is a desire to shield from the knocks and bumps of reality.

We turned the lights off to save money, so you can't really see it. It's the same show. Hopefully, there are lots of laughs and lots of great personal stuff, but it is explicitly a darker season [4 of Sherlock Holmes].

That's what makes characters interesting. If Sherlock [Holmes] had started out being a straightforward man, we wouldn't be talking about him now. If he became one, that would be interesting. But you have to give him somewhere to go, as [Conan] Doyle did.

When I was seven or eight, I was bought a fantastic book called 'The Movie Treasury of Horror Movies' by Alan G. Frank; it became my bible. It's packed full of the most amazing photos and is still fantastic to look at.

The question I ask myself is: have I really just become a squeamish middle-aged man, or has something happened to the horror genre that shows a growing appetite for watching torture, or at least a desire to explore it on film? And if so, why would that be? I can't pretend I know. I just know I don't like it.