The way of creating believable characters is not by conforming to a set of PC rules.

Fiction that responds to recent world events is a hostage to fortune because all momentous events look very different a year, two years, three years later.

It exasperated her sometimes. The way men could be so sure of themselves. They put words together like sheds or shelves and you could stand on them they were so solid. And those feelings which overwhelmed you in the small hours turned to smoke.

And it's best if you know a good thing is going to happen, like an eclipse or getting a microscope for Christmas. And it's bad if you know a bad thing is going to happen, like having a filling or going to France. But I think it is worst if you don't know whether it is a good thing or a bad thing which is going to happen.

When I was writing for children, I was writing genre fiction. It was like making a good chair. However beautiful it looked, it needed four legs of the same length, it had to be the right height and it had to be comfortable.

And when you look at the sky you know you are looking at stars which are hundreds and thousands of light-years away from you. And some of the stars don’t even exist anymore because their light has taken so long to get to us that they are already dead, or they have exploded and collapsed into red dwarfs. And that makes you seem very small, and if you have difficult things in you life it is nice to think that they are what is called negligible, which means they are so small you don’t have to take them into account when you are calculating something.

There's something with the physical size of America... American writers can write about America and it can still feel like a foreign country.