With voice acting, it liberates you to play characters you'd never do in a million years because you're physically not right. You can show up looking like hell, you don't have to memorize your lines because you can read them right off the page, and you get to play the most fun parts. You come in and you kick everyone's ass and you get your own ass kicked, and then you go home.

I miss live audiences, because it's like no other form of entertainment, where the audience is a major part of the production every night.

So much of life is what you roll and where you land.

I never saw myself so much as an actor. I wanted to be a cartoonist like Charles Schulz and create my own world and be able to have a studio at home and not commute and be able to be with my family.

George [Lucas] wanted to know whether we'd be interested. He did say that if we didn't want to do it, they wouldn't cast another actor in our parts - they would write us out.

I've always loved Peter Sellers and Alec Guinness movies.

One of the things that I love about voiceover is that it's a situation where - because you're not encumbered by being seen - it's liberating. You're able to make broad choices that you would never make if you were on camera.