Why do people resist [engines, bridges, and cities] so? They are symbols and products of the imagination, which is the force that ensures justice and historical momentum in an imperfect world, because without imagination we would not have the wherewithal to challenge certainty, and we could never rise above ourselves.

Mozart and Neil Diamond may have begun with the same idea, but that a work of art is more than an idea is confirmed by the difference between the 'Soave sia il vento' and 'Kentucky Woman.' We have different words for 'art' and 'idea' because they are two different things.

To be mad is to feel with excruciating intensity the sadness and joy of a time which has not arrived or has already been.

She knew words no one had ever heard of, and she used words every day that had been mainly dead or sleeping for hundreds of years.

A lot of people hate heroes. I was criticized for portraying people who are brave, honest, loving, intelligent. That was called weak and sentimental. People who dismiss all real emotion as sentimentality are cowards. They’re afraid to commit themselves, and so they remain ‘cool’ for the rest of their lives, until they’re dead—then they’re really cool.

I have a particular dislike of human pride. And if you think that you can engineer outcomes, that's a manifestation of pride. Among other things, it's impractical. It just doesn't work. The world doesn't work that way.

Justice came from a fight amid complexities, and required all the virtues in the world merely to be perceived.