During the downtime on tour, I simply walk from room to room, staring into my computer.

I really enjoy helping a band form their sounds and ideas from initial spark to completed album. Being a producer is different in that, at the end of the day, it is not my art. It's THEIR art, THEIR ideas, THEIR message.

I think people take Blink-128 more seriously now than they did before. And it's largely our fault because we called our records Enema of the State and Take Off Your Pants and Jacket. We were always kind of the underdogs, especially critically. People wrote us off as this joke band. But the people who listened to Blink knew that we were silly and whatever, but we wrote songs about divorce and suicide and depression. Those kids that were listening to Blink are now the ones that control all these outlets that used to just write us off.

I'm always asking friends what new music they're into, and I love showing people new talented artists.

We never really set out to talk about California on the album ['California'], it was something that we noticed that was happening about three-quarters of the way through the recording process. We were looking at which songs we thought would make the record and we realised that there was this theme coming through. I think it's just a product of being in California for as long as I have.

Home for me is wherever my wife and kid are.

When I was growing up skateboarding, a bunch of friends and I went to this thrift store and as we were leaving I jumped up and passed gas in my friend's face. I turned around and it wasn't my friend, it was this nice old lady who was just walking out of the store. That was probably one of the more awkward apologies I've had to make in my life.