A lot of the stuff I listen to is glitchy electronic stuff and stuff with beats.

I think maybe I'm trying to forget or not be so conscious about plastic circuitry and just go for the feeling.

When people want me to sign records they usually always have Vivadixie[submarinetransmissions], and I think that's a lot of people's favorite record. And that was sort of when I was just learning what I was doing.

I've been trying to write really simple songs to make them sound like they're coming out of a satellite that's crashing into a gas giant or something.

I never really made much money playing music. It's because I've never really worked with a producer who could make my music sound, I guess, like how the public wants it to sound.

Daniel Johnston is the purist and most unpretentious artist of our generation

A lot of that I base on, "Is it still going to sound interesting and fresh to me in five years, am I going to be embarrassed by this in five years?" It's easier for me to do stark, moody, pretty stuff, and I have all this pop stuff inside me, but it's a lot more dangerous, and pop is just apt to sound contrived and sort of pedestrian if you're not careful.