Some of the longest home runs I've hit, I didn't actually realize they were going that far. Everyone says, 'What does it feel like to hit the ball that far?' Actually, there's no feeling at all. I know when the ball meets the bat whether or not it's left the park. It's a nice easy thing.

I think back and I really feel for what he (Roger Maris) went through, for all the negative stuff that was going on in his life. I wish it didn't happen.

I care deeply about anyone who listens to my music. That's a sacred connection between the artist and the person who appreciates what you do - it's beyond words how meaningful that is. But I'm not going to stifle myself from trying new things because I feel like people that are already into my stuff might not like it.

What a perfect way to end the home stand, by hitting sixty-two for the city of St. Louis and all the fans. I truly wanted to do it here and I did. Thank you St. Louis.

I think it puts baseball back on the map as a sport. It's America's pastime and just look at everyone coming out to the ballpark. It has been an exciting year.

I do believe my personal spirituality, which spirituality itself I don't really equate to anything more than my personal connection with nature and the universe. With what is real, not a manmade contrivance. Finding a connection with those things through my music is something I've begun to take more seriously in order to understand why I feel that way.

I study pitchers. I visualize pitches. That gives me a better chance every time I step into the box. That doesn't mean I'm going to get a hit every game, but that's one of the reasons I've come a long way as a hitter.