I wish that every player could feel what I've felt in visiting ballparks. The receptions I've received, it's blown me away. It's absolutely remarkable.

I care deeply about anyone who listens to my music. That's a sacred connection between the artist and the person who appreciates what you do - it's beyond words how meaningful that is. But I'm not going to stifle myself from trying new things because I feel like people that are already into my stuff might not like it.

Sammy Sosa's a September player, so you have to watch out for him. It's crunch time, time to make history.

Some of the longest home runs I've hit, I didn't actually realize they were going that far. Everyone says, 'What does it feel like to hit the ball that far?' Actually, there's no feeling at all. I know when the ball meets the bat whether or not it's left the park. It's a nice easy thing.

It's pretty obvious there's a lot of corruption in the world right now. That takes many forms. There's economic, political, religious, social corruption. Just the manipulation that takes place with all the information that people are given, and even just the way the world is presented as this concrete block, this concrete idea that there's not really an alternative at this point in the world. You can't really go off and live your own life off in your own world.

You can't let other people dictate what your art is supposed to be. That's the opposite of art. You should constantly be challenging yourself to grow and change and create and evolve. I'm into that spirit of experimental and underground music. The constant, the groping, seeking, moving forward, regardless of where it might take you at that moment. It's all part of a larger arc.

What a perfect way to end the home stand, by hitting sixty-two for the city of St. Louis and all the fans. I truly wanted to do it here and I did. Thank you St. Louis.