Snowboarding allows you to create your own path, and for me it was awesome because no one was telling me what to do. I could go out on the mountain and try new things and learn for myself.

Production of identity is a resistance element, an aggressive element. Both a refusal and an affirmation and an assertion, and certainly, we in Jamaica were talking about black art. And the idea that there is a role for art in the civil rights revolution and in the successor to the civil rights revolution.

The nation as the horizon of an identity that you want to come into being as a fundamental absence of something that is compromised, something that needs to be rescued or made - these matters preoccupy the third world writer. It is seductive for a Marxist understanding of literary practice and production in the sense that it says that material culture determines literary output.

A wedding is earth and water and a species of irreducible light and the flat belly of a harbor and a mango about to ripen and fall into gravity's caress and the waves subsiding and resuming their concerto in a minor key and the rush hour canceled by the stun of auspicious beginnings.

The best thing you can do is to keep riding your snowboard and love what you're doing. Without a passion for the sport it's difficult to take your riding to the next level.

There's a champion in all of us, it's how you choose to find it.

Making of poetry, music, dance and art as culture-making in the service of nation-making. You can find writings that make that purpose for art quite explicit.