Maybe in this Star Wars world maybe subconsciously I was preparing myself. But I've just found all of my ideas I've been coming up with are big sci-fi things, and I wanted to do a big epic, a big space opera, and this is it. This is mine.

He [Stuart Immonen] and I have known each other over email for 18, 19 years or something, so to finally work with him is like kissing the girl that you always wanted to kiss.

I've been doing the Millarworld stuff for decades, and everybody seems really happy that's working on it.

I was desperate to work with Stuart Immonen, who I have talked with for several years about doing a project together. So just the stars aligned. I knew that Stuart had a little break in his schedule, where he would be willing to do a project with me. So this year I've been very lucky.

If I'm creating a new superhero, it shouldn't be any different from other superheroes in terms of the qualities. Obviously the personality can be different. I think traditionally in comics women have tended to be a girlfriend or the daughter of whoever, whether it's even Batgirl as Gordon's daughter, or whatever. There is that relation of the hero, you know, like Superman's cousin, Supergirl. And that's great. It's fantastic to have a link to these amazing characters, but I kind of like the idea of things being something in their own right, which is why I've always loved Wonder Woman.

Comic artists have always been part of my social circle. I just like hanging out with artists, and I always see them at conventions or a store signing or something. "Hey, we should do something together."

Ever since 1980, sci-fi has generally been more Bladerunner than Star Wars. People talk about Star Wars being the most influential movie of all time and creating the blockbuster along with Jaws and that sort of thing, but really there's not been a space opera that anyone can go and see.