What makes games so exciting is that's a whole other- there's all sorts of other considerations on what music is supposed to achieve and what you're attempting to support, it's not uncommon to think of your music and to think of the way your orchestra plays for something like Jack and Daxter where you start with- you know because it has to change tempo and intensity as the action gets more intense.

TV series, there's a lot of everybody talking to you and giving you input for the first couple episodes, and then they're on such a crazy schedule that you get another episode on a Monday, you have to have it done by Friday and it becomes very solitary work usually, TV shows.

If you get rid of a lot of the poseurs by destroying record companies, maybe it's a good trade-off.

Personally Im very happy to be behind the scenes. I like collaboration, I like working with directors.

Lego was our fourth film, because we did two Cloudys, so yeah there's a little bit of shorthand that's involved and then you can anticipate things- because for me it's like, I get a script for a movie and I go, "Wow that's a pretty good script", then you sign on and a couple months later they show you the first cut and you're like, "Whoa, how did that happen?"

To me I think artists in general make a statement - and for the rest of their lives - every album, every book - are variations on a theme.

It's people who write music because they are obsessed that I like; because they have something to say and no other way to say it.