Dave Guy, the trumpet player, is an incredible musician. He came into the studio one day, and they had just cut a cover of "Sign, Seal, Deliver" for something with Sharon Jones, and I just was blown away by how they got that sonic. I mean, it was just so much the real deal.

I remember that the bass was turned up slightly more on the mix from last week, and I thought that was good - or whatever. Like, there were some little things in there that he said that he came to, like, really enjoy my opinion or at least, like, my little comments on the songs. So I was kind of destined to probably be a studio rat.

I used to be a serious sneaker addict, but I've moved on a little bit from those days.

I think that where it came from and the initial birth of it - it did come out of a jam at Bruno's studio, you know? He was playing drums. And Jeff Bhasker, who co-produced the record with us, is on synths, and I was playing bass.

You just pick up a little bit of whatever the ones you think are appropriate, and you try and, you know, combine them. And then you bring in other people that are great for the things that you're not so good at.

I got into DJ'ing because I started to listen to New York radio a lot. Obviously, I knew the stuff everybody knew, like Beastie Boys and Public Enemy, but I heard "Who Got the Props" by Black Moon, and I went up to this kid in my school with the Walkman on and was like, "What is this? You must tell me how I can get this now." Because there was no Shazam or googling lyrics.

I think Katy B encapsulates young London in a way I never could. She reps London harder than anyone song-wise since Lily Allen.