If you are moved only by the color relationships, then you miss the point.

There is no such thing as good painting about nothing.

I also hang the pictures low rather than high, and particularly in the case of the largest ones, often as close to the floor as is feasible, for that is the way they are painted.

The progression of a painter’s work…will be toward clarity; toward the elimination of all obstacles between the painter and the idea, and between the idea and the observer…to achieve this clarity is, inevitably, to be understood.

A picture lives by companionship, expanding and quickening in the eyes of the sensitive observer

We favor the simple expression of the complex thought. We are for the large shape because it has the impact of the unequivocal. We wish to reassert the picture plane. We are for flat forms because they destroy illusion and reveal truth.

There is only one thing I fear in life, my friend: One day, the black will swallow the red.