I will say without reservations that from my point of view there can be no abstractions. Any shape or area that has not the pulsating concreteness of real flesh and bones, its vulnerability to pleasure or pain is nothing at all. Any picture that does not provide the environment in which the breath of life can be drawn does not interest me.

There is no such thing as good painting about nothing.

My art is not abstract, it lives and breathes

Without monsters and gods, art cannot enact a drama.

There is more power in telling little than in telling all.

We favor the simple expression of the complex thought. We are for the large shape because it has the impact of the unequivocal. We wish to reassert the picture plane. We are for flat forms because they destroy illusion and reveal truth.

A picture lives by companionship, expanding and quickening in the eyes of the sensitive observer