There is a definite moment when a work congeals and crystallizes. Once I am finished with a painting, I am happy to send it off into the world so I can get to work on the next one.
Mark RydenI liked painting, very early on, even more than drawing. I used poster paint on posterboard. I would copy images that I liked from magazines and books and combine them to make a "collage" kind of painting. In some ways, this is similar to how I work today.
Mark RydenIt is the masculine dynamic that has caused our society to place money and corporate profit above human beings. It has allowed the earth to be viewed only as a commodity to be exploited. The feminine perspective sees things differently. She sees the earth and all its inhabitants as entities to be revered and cared for. She sees individual human beings as more important than the relentless advance of capitalism and competition. It is my hope, perhaps indirectly expressed in my work, that the divine feminine is reawakening.
Mark RydenEach painting seems to have a very specific size it wants to be. I have even started a painting or two over just because I didn't like the feeling of the particular image at a particular size. The Parlor needed to be large because I wanted it to feel like a full-size room you could step into. Unfortunately for me, I paint the same way on an eight-foot canvas as I do on a five-inch miniature. I still use very tiny brushes and noodle every square inch. It took me nearly a year to paint The Parlor.
Mark RydenI believe that beyond the arena of art, the world would be a much better place if centered around a feminine perspective. The world has been really messed up by greedy white men who only work towards an agenda of personal wealth and power. It is this patriarchy of the past couple thousand years that causes so much strife. If the world was female-centered and if the dominant spirituality was based on the feminine and the earth, then human beings would know much more joy, peace, and harmony.
Mark Ryden