There's a kind of decadence about all this: If 9/11 was really an inside job, you wouldn't be driving around with a bumper sticker bragging that you were on to it. Fantasy is a by-product of security: it's the difference between hanging upside down in your dominatrix's bondage parlor after work on Friday and enduring the real thing for years on end in Saddam's prisons.

“Secretary of State Clinton dared Iran on Monday to let her hold a town-hall meeting in Tehran.” That’s telling ’em. If the ayatollahs had a sense of humor, they’d call her bluff.

In the Western world, countries that were once the crucible of freedom are slipping remorselessly into a thinly disguised serfdom in which an ever higher proportion of your assets are annexed by the state as superlandlord. Big government is where nations go to die - not in Keynes' 'long run,' but sooner than you think.

When the family dies, the nation follows.

Freedom is messy. In free societies, people will fall through the cracks - drink too much, eat too much, buy unaffordable homes, fail to make prudent provision for health care, and much else. But the price of being relieved of all those tiresome choices by a benign paternal government is far too high. Big Government is the small option: it's the guarantee of smaller freedom, smaller homes, smaller cars, smaller opportunities, smaller lives.

Popular culture as a whole is popular, but in today's fragmented market it's a jostle of competing unpopular popular cultures. As the critic Stanley Crouch likes to say, if you make a movie and 10 million people go see it, you'll gross $100 million - and 96 per cent of the population won't have to be involved. That alone should caution anyone about reading too much into individual examples of popular culture.

General Motors, like the other two geezers of the Old Three, is a vast retirement home with a small money-losing auto subsidiary.