I've put my friends and family through the wringer over the years, I have to say, by doing unspeakable things to people, not the least of which was pulling out poor George Clooney's fingernails in Syriana.

In the past, if I didn't work, I didn't eat but now I feel I can not work and I won't starve.

The important bit for an actor is the actual shooting of it, because the minute the shoot ends, it's got nothing to do with you anymore.

I'm sure part of the baggage that I bring having played a lot of villains is also pertinent to the movie [Before I Go To Sleep], because I'm sure people look at me and think, "Oh, I'm not sure I trust him or not."

The Peugeot is a very unthreatening car.

I loved making The Imitation Game and it's really gratifying to hear the audience's response to the character that I play. It was just a little thing that I did because I really liked the film and I liked Benedict [Cumberbatch] and I loved Morten's [director Morten Tyldum] previous film, Headhunters. For me, it was something I did thinking, "Wow, this is a lovely quality piece of work."

In the film industry you never really know if all the various ingredients will come together - sometimes they do, and sometimes they don't. As an actor, you don't have much control over those things. It's a director's medium in that sense. All you can really do is minimise the risks of being involved in something that might not work and look for something that also suits you.