I didn't like the '60s because it was too important what people who had nothing to do with the war thought about it.

The way I played music there was the way I wanted to farm, chop wood, cook, make love, raise children. Everything. A lo of it had to do with things I felt while I played. If only I could feel that sense of total absorption in what I was doing when I was doing other things. It was more than absorption, it was spontaneity, competence, a sense of grace and playfulness, of being in touch with an inexhaustible source of energy and beauty.

Writing was a spiritual exercise for my father, the only thing he really believed in.

And if you're lucky enough to survive going crazy and get back to the point where you can pass for normal, it builds a question into the rest of your life. You have to forgive people for wondering, 'How all right can he be?'

Fear that I was very different from everyone else. Fear that deep down inside I was a shallow fraud, that after the revolution or after Jesus came down to straighten everything out, everyone from hippies to hard-hats would unfold and blossom into the beautiful people they were while I would remain a gnarled little wart in the corner, oozing bile and giving off putrid smells.

I saw a study the other day showing that some atypical anti-psychotic was at least as good as mood stabilizers in preventing suicide. It's a very good thing to decrease suicide but we should care at least a little if I'm not killing myself because I feel better or if I just can't remember where I put the damn gun.

Once you've been talked to by voices, it's not possible to go back to a world where talking voices is not possible.