I guess when someone tells you something they they usually guard, you feel privileged, not because you know something no-one else knows, but because you feel chosen. You feel like that person wants her life to intersect with yours. I think that's what felt best about it.

I had to decide what I was going to do, and what I was going to be. I was standing there, waiting for someone to do something , till I realised the person I was waiting for was myself.

And then there's the sickness I feel from looking at legs I can't touch, or at lips that don't smile at me. Or hips that don't reach for me. And hearts that don't beat for me.

Very quickly, very suddenly, words fell through my mind. They landed on the floor of my thoughts, and in there, down there, I started to pick the words up. They were excerpts of truth gathered from inside me.

At first, she could not talk. Perhaps it was the sudden bumpiness of love she felt for him. Or had she always loved him?

The words. Why did they have to exist? Without them, there wouldn't be any of this.

And I can promise you something, because it was a thing I saw many years later - a vision in the book thief herself - that as she knelt next to Hans Hubermann, she watched him stand and play the accordion. He stood and strapped it on in the alps of broken houses and played the accordion with kindness silver eyes and even a cigarette slouched on his lips. The bellows breathed and the tall man played for Liesel Meminger one last time as the sky was slowly taken away from her.