Papa sat with me tonight. He brought the accordion down and sat close to where Max used to sit. I often look at his fingers and face when he plays. the accordion breathes. There are lines on his cheeks. They look drawn on, and for some reason, when I see them, I want to cry. It is not for any sadness or pride. I just like the way they move and change. Sometimes I think my papa is an accordion. When he looks at me and smiles and breathes, I hear the notes.

There was the gate next, which she(Liesel)clung to. A gang of tears trudged from her eyes as she held on and refused to go inside. People started to gather on the street, until Rosa Hubermann swore at them, after which they reversed back whence they came. ~A TRANSLATION OF ROSA HUBERMANN’S ANNOUNCEMENT~ ‘What are you arseholes looking at?

I think, as the writer, you're always going to mourn something [left out of a film]. But you also just want to know there's a good reason for it being left out. On the whole, you want to give something to somebody creative. The worst thing you can do is say, "Here, be creative, but do it like I want you to do it." I was always very mindful of that.

If you can't imagine it, think clumsy silence. Think bits and pieces of floating despair. And drowning in a train.

Ed?" Ritchie says later. We're still standing in the water. "There's only one thing I want." "What's that, Ritchie?" His answer is simple. "To want.

The Gunman is useless. I know it. He knows it. The whole bank knows it.

The happening that happened was that I met this girl.