He left Himmel Street wearing his hangover and a suit.

Papa sat with me tonight. He brought the accordion down and sat close to where Max used to sit. I often look at his fingers and face when he plays. the accordion breathes. There are lines on his cheeks. They look drawn on, and for some reason, when I see them, I want to cry. It is not for any sadness or pride. I just like the way they move and change. Sometimes I think my papa is an accordion. When he looks at me and smiles and breathes, I hear the notes.

Could she smell my breath? Could she hear my cursed circular heart beat revolving like the crime it is in my deathly chest?

I like that every page in every book can have a gem on it. It's probably what I love most about writing--that words can be used in a way that's like a child playing in a sandpit, rearranging things, swapping them around. They're the best moments in a day of writing -- when an image appears that you didn't know would be there when you started work in the morning.

..As always, she was carrying the washing. Rudy was carrying two buckets of cold water, or as he put it, two buckets of future ice.

The bittersweetness of uncertainty: To win or to lose.

For a moment, I panic. It's that feeling of falling when you know without question, that you've lost control of your car, or made a mistake that's beyond repair. 'What do I do now?' I ask desperately. 'Tell me! What do I do now?' He remains calm. He looks at me closely and says, 'Keep living, Ed... It's only the pages that stop here.