I think that any time you are making a film you have to realize that the people you are talking with might be giving you misinformation. Sometimes it is factually incorrect and for that, it's important to me to check it out and not let things find their way into the film without being challenged, either by me, or by another character, or by evidence that you might see on screen.

Balancing the complex point of view in the edit room was mostly a matter of challenging ourselves to keep digging deeper.

I don't think that any law enforcement got in trouble for the event in Eugene where police sprayed the tree-sitters who were protesting the cutting of the trees for the parking garage.

I loved watching documentaries and had wanted to try making one for years - I'd just put it off as other opportunities arose. But I felt like time was running out for me if I wanted to do it.

I love to just listen and watch. I could happily watch a security camera at a store. Often during a day I'll see a guy selling pretzels or an argument that somebody's having on a stoop and I'll think, "Oh I wish I had my camera, I wish I could capture this moment." There's something about people being people and interacting that can be so beautiful when it's framed by a camera. That desire to capture people as they are, and the stubbornness to keep going when they don't necessarily want you to capture them being who they are, are key.

I've always been curious in why different people believe the things they do and do the things they do - in the different ways that people live.

I have a point of view on the issues, but it's a complex point of view that really can't be summed up in a sentence or two. I'm not being intentionally vague or mushy, it's just that - in my mind - the real answer is complicated.