There was a time, before I was in graduate school, when political philosophy pretty much ceased to exist. The positivists thought there were only two things you could do: conceptual analysis or empirical investigation. Any kind of political theory or even ethical theory was nonsense.

When I came to Harvard, there were no tenured women except one, who was in a chair reserved for a woman. It's still an uphill battle, and I encountered great sexism in parts of my career, but I have to say that things are a lot better than they used to be. There are many women today doing wonderful work all over the academy.

It's not as though there aren't many, many art works and many other cultures, but there was something special about the civic nature of the Greek theater. All the citizens stopped working. They came into these theaters. It wasn't like a Broadway theater where you sit in the dark and you expect to be passively entertained. You're in this theater, amphitheater, in bright sunlight looking at your fellow citizens, recognizing their faces, and thinking with them about the future of your city. I think very few cultures have had a theatrical tradition that is quite so civic.

The great tragedy in the new feminist theory in America is the loss of a sense of public commitment.... Hungry women are not fed by this, battered women are not sheltered by it, raped women do not find justice in it, gays and lesbians do not achieve legal protections through it.

Business leaders love the humanities because they know that to innovate you need more than rote knowledge. You need a trained imagination.

Life is about more than earning a living, and if you're not in the habit of thinking about it, you can end up middle-aged or even older and shocked to realize that your life seems empty.

People have a deep need to be legislators, and the idea of autonomy has become very precious.