As human beings, we ought to be vulnerable. We shouldn't try to say that we can be self-sufficient or do everything that's necessary for a good life on our own, because we need other people.

You can’t really change the heart without telling a story.

The EU might have become a large federal nation. But they would have had to do things differently. Number one, they would've had to make people feel like participants in a common project of autonomous law-giving. Much more political accountability, much more participation. That didn't happen, I think, because the movers and shakers were more concerned with economic union than political union.

It's not as though there aren't many, many art works and many other cultures, but there was something special about the civic nature of the Greek theater. All the citizens stopped working. They came into these theaters. It wasn't like a Broadway theater where you sit in the dark and you expect to be passively entertained. You're in this theater, amphitheater, in bright sunlight looking at your fellow citizens, recognizing their faces, and thinking with them about the future of your city. I think very few cultures have had a theatrical tradition that is quite so civic.

Disgust relies on moral obtuseness. It is possible to view another human being as a slimy slug or a piece of revolting trash only if one has never made a serious good-faith attempt to see the world through that person’s eyes or to experience that person’s feelings. Disgust imputes to the other a subhuman nature. How, by contrast, do we ever become able to see one another as human? Only through the exercise of imagination.

When a profession is protected by academic freedom and tenure, it tends to turn inward. To a large extent that's good.

Business leaders love the humanities because they know that to innovate you need more than rote knowledge. You need a trained imagination.