Any familiarity with photographic history shows that manipulation is integral to photography.

Any familiarity with photographic history shows that manipulation is integral to photography.

How useful are documentary photographs if there is no follow up, no way of knowing what happened next in the story?

Photography [can] be seen as a system of representation that you bring to bear on other systems.

The exposé, the compassion and outrage, of documentary fueled by the dedication to reform has shaded over into combinations of exoticism, tourism, voyeurism, psychologism and metaphysics, trophy hunting - and careerism.

Take the Money and Run? Can Political and Socio-Critical Art ‘Survive’?

So much of my work involved the Vietnam War that it would have been obscene to show it in a gallery. But now, it’s different; it’s important to remember and to enable the young to discover what to some of us is still so present.