I have learned to write about things that are personal without objectifying anybody or anything, and that's been an important lesson for me. It's useful not to dump on people while simultaneously expressing a truth or a feeling if it's necessary, without diluting the intensity of the lyric.

I have a tendency to run after people who are completely unattainable and uninterested and make a complete fool of myself.

You know, people always ask me how I describe my music. First of all I tell them that's their job and then that also one day I hope to have things referred to as Martha Wainwright -esque.

I've spent the first part of my life in the shadow of my family. I'm not going to live in the shadow of my husband.

If there's one thing that differentiates me from the rest of my family it's the rock element. I hung out with friends who like punk rock a lot. Not getting a big record deal, and having a hard time for years, it means you have to prove yourself and scratch your way up from nothing.

When I listen to my songs, they seem like pieces of music or art, like a painting that you look at. The reality is that, yes, when I wrote the songs upstairs or wherever, I was writing very specifically about my life or a specific subject matter that's very personal. I've never shied away from that. The vocals and the performance that come after the record, I don't think of that as confessional, but the core of the music is completely. It makes sense that people would see that as being the main thing. I guess not everyone is able to speak so candidly.

My childhood definitely revolved around my relationship with my brother. I wanted to be different. I wanted to find my way of being as intriguing and interesting as he was.