Religious belief is without reason and without dignity, and its record is near-universally dreadful.

Language leads a double life - and so does the novelist. You chat with family and friends, you attend to your correspondence, you consult menus and shopping lists, you observe road signs, and so on. Then you enter your study, where language exists in quite another form - as the stuff of patterned artifice.

I say, 'If I had a serious brain injury I might well write a children's book', but otherwise the idea of being conscious of who you're directing the story to is anathema to me, because, in my view, fiction is freedom and any restraints on that are intolerable.

The future could go this way, that way. The future's futures have never looked so rocky. Don't put money on it. Take my advice and stick to the present. It's the real stuff, the only stuff, it's all there is, the present, the panting present.

In America, the policeman is a working-class hero. In England, the policeman is a working-class traitor.

When success happens to an English writer, he acquires a new typewriter. When success happens to an American writer, he acquires a new life.

When I see a lot of young faces in the audience, it's just sort of sinking in how important that is. Because you're old enough now to identify them very strongly as being young - whereas before, of course they were young, because you were young. Now it's not like that.