It's becoming clearer and clearer to me that the world is there to be celebrated by writers, and in fact this is what all the good ones do, and that the great fashion for gloom and grimness was in fact a false path that certain writers took, I think in response to the horrors of the first half of the twentieth century.

I would never write about someone that forced me to write at a lower register than what I can write.

There's a lot of anti-intellectualism in Britain. And the writer's views on this or that are really of less importance, as they see it, than that of the man in the street.

I want incremental improvements. There's the record of all the revolutionary and violent change and extremism in general - it's dreadful.

One thing you can't help noticing in South America and in Latin culture, generally, is how nice people are. Although when I went back to Spain - my mother lived in Spain and both my brothers lived there - after the Uruguay trip, I thought, "Oh great, Hispanic people." But they weren't nearly as nice as the Uruguayans. They're quite proud and pissed off, the Spaniards.

Language leads a double life - and so does the novelist. You chat with family and friends, you attend to your correspondence, you consult menus and shopping lists, you observe road signs, and so on. Then you enter your study, where language exists in quite another form - as the stuff of patterned artifice.

You know, I wouldn’t have done this a month ago. I wouldn’t have done it then. Then I was avoiding. Now I’m just waiting. Things happen to me. They do. They have to go ahead and happen. You watch – you wait… Things still happen here and something is waiting to happen to me. I can tell. Recently my life feels like a bloodcurdling joke. Recently my life has taken on *form* Something is waiting. I am waiting. Soon, it will stop waiting – any day now. Awful things can happen any time. This is the awful thing.