Winning the Pritzker assures a flood of work in one's seventies and eighties, jobs necessarily carried out by assistants as the demands of modern-day cultural stardom and the inevitable waning of physical capacities prevent many architects from attaining the transcendent final phase more easily achieved by artists in other mediums.
Martin FillerWhat a museum chooses to exhibit is sometimes less important than how such decisions are made and what values inform them. To have the crucial role of museum professionals usurped by self-serving tycoons in the name of economic imperative threatens not only the integrity of individual institutions but the very principle of art held in public trust.
Martin FillerThe most basic task of any museum must be the protection of works of cultural significance entrusted to its care for the edification and pleasure of future generations. This imperative rightfully takes precedence over acquisition, interpretation, outreach, or any number of other activities now believed to be crucial to the survival of our great art repositories. Sometimes a museum gains its holdings with much strategic forethought, and at other times serendipitously, as when a long-coveted neighborโs plot suddenly becomes available. Yet the moral responsibility remains the same.
Martin FillerAfter Lyndon Johnson's Great Society, the belief in decent housing as a political right or social obligation was supplanted in the U.S. by the notion that suitable shelter should be an act of charity.
Martin FillerThe danger for any artist whose work is both recognizable and critically acclaimed is complacent repetition - the temptation to churn out easily identifiable, eagerly welcomed, and readily salable designs.
Martin Filler