Record covers helped me discover a lot of music that I wasn't aware of.

There haven't been many credible electronic covers records.

I don't know if it's cool to say this anymore, but I grew up listening to Gary Glitter. A majority of his songs were in that shuffle-blues beat, and I think that's probably why I tend to write like that.

I try to get a degree of realism in my music.

I want people to feel good about listening to this [Delta Machine] record, to get some kind of peace. It's just got something magical about it.

I will be the focal point for however long I decide to play. Half of me likes that idea and half of me doesn't, but once the adrenaline kicks in, I'll probably really enjoy it.

Music is really all about experimentation and lots of trial and error. It's just mind-numbingly boring until you hit on something that works well.