'Pulp Fiction' is an amazing film, and I haven't made one nearly as good.

If you've got time to waste, you might as well waste it listening to people.

It's the periods and the commas that you have to forget about. The words never change, but the intonations change.

My plays are always pushing towards cinema anyway. They're down and dirty, real and more fun.

I pick and choose what I want to do at any given time, and what not to do, importantly. My agents, I won't hear about any offers or options.

I think if you're writing a play, it should be its own end game; you'll never get to do a good one unless you know it's not a blueprint for a film; you're not going to get the action right and the story right.

I don't even subscribe to writer's block being a truthful thing. I've had writer's laziness quite often. But I think it's all about sitting down and facing down the blank page and doing it, and I've always been ok at that.