The work is flowing from an inner knowing of how things really are.

I realized it wasn't necessary to work in the traditional methods of carving and casting.

The fire was followed by a period of grieving and then by an incredible lightness, freedom, and mobility.

The work is flowing from an inner knowing of how things really are.

The site I landed on feels much more isolated than it really is; it's almost magical. Within its limited radius, there was a whole range of the local ecology.

Although idea and form are ultimately paramount in my work, so too are chance, accident, and rawness.

I think of moving as a kind of saving grace.