I just - I kind of see it that way. I find the higher angles down. I do - look, you can go back to the staircase shots in "Third Man" or the staircase in "La Dolce Vita." So I just find that visual construction in a frame.

There was always a part of me that wanted to be an old-time director. But I couldn't do that. I'm not a pro.

Any film, or to me any creative endeavour, no matter who you're working with, is, in many cases, a wonderful experience.

I tried for about two semesters in a preparatory seminary. But I was about 15 and didn't fully understand what a vocation means.

A panoramic vision of Bob Dylan, his music, his shifting place in American culture, from multiple angles. In fact, reading Sean Wilentz's Bob Dylan in America is as thrilling and surprising as listening to a great Dylan song.

Actually, I was rock climbing on this film at 7 in the morning. It was quite unique! But in any event, the colour of the leaves disturbed me so we had to work on that. On the other hand, I didn't want to drench it in a kind of depressing tone.

The problem with anger is that it's so consuming. You've got to take it easy on yourself at a certain point.