The most important thing is the script.
The real truth, I thought, in terms of what faith is and what Christianity is.
I always wanted to make a film that had this sort of Chinese-box effect, in which you keep opening it up and opening it up, and finally at the end you're at the beginning.
I've been to North Africa many times.
You've got to love something enough to kill it.
I have a desire to tell stories. And I'm never quite satisfied.