A photograph is not necessarily a lie, but it isn't the truth either. It's more like a fleeting, subjective impression.

A photograph is not necessarily a lie, but it isn't the truth either. It's more like a fleeting, subjective impression.

My advice to photographers is to get out there in the field and take photographs but also if they are students to finish their course, learn as many languages as possible, go to movies, read books visit museums, broaden your mind.

I think everything can be painted because painting can change reality; but everything cannot be photographed and the photographer often comes home empty-handed, with images which (often) have a documentary interest, but which rarely go further than that. One has to be completely available, very tenacious and admit that many subjects won't give any results... and a miracle sometimes happens, without warning.

Photography came as a substitute. I was painfully shy and found talking to people difficult; a camera in hand gave me a function, a reason to be somewhere, a witness, but not an actor.

I feel concerned by what happens in the world.... I don't want to merely document; I want to know why a certain thing disturbs or attracts me and how a situation can affect the person involved.

My grandfather killed himself falling off the dike in Ostend while photographing my two cousins. This can happen so easily when looking through a lens: for a split second nothing else exists outside the frame.