If Justin Beiber was 7 feet tall, he'd look like [Meyers Leonard] that.

I feel I'm better now than I ever have been. You learn so much as you're doing it. I'm watching tapes and I'll see things that get me annoyed and where I know I can improve. I understand better letting the crowd play more. I've always said it was important for me who I was working with, because I like to kid around a lot. But I've also learned to use my partner better. I'm feeling good. There's no reason to stop.

I would never scream at my kids, never raise my voice. But as they often tell me, they were so well behaved that screaming was not necessary.

I've always felt that I shouldn't scream on the air...I just feel there's a way of rising enthusiastically if there's an exciting play, but you don't have to scream. There are people who do shout, and I think that's unnecessary. You have to be under control at all times, no matter what's taking place. Enthusiasm and excitement can be expressed without going berserk.

There are people in New York who feel I should have more of a hometown approach. I feel we have to be a mirror and reflect whats happening on the court.

The Chicago Bulls’ Michael Jordan’s three-point explosion in Game 1 of the 1992 NBA Finals against Portland is easily one of the greatest performances I’ve ever seen. As he made his sixth straight, he winked directly at (broadcast partner) Mike (Fratello) and me and held his palms up in a shrug, as if to say, What can I do?

In radio, you are the game, so to speak - you have to describe every aspect. In TV, Ive always felt less is more, and its really a question of my setting up the color analyst more than anything else.