To me, doing the Olympics in 1992 in Barcelona for NBC, just seeing the Dream Team take the floor, was a thrill for me. I dont think there was another team in any sport with that high level of athletes playing together.

I feel I'm better now than I ever have been. You learn so much as you're doing it. I'm watching tapes and I'll see things that get me annoyed and where I know I can improve. I understand better letting the crowd play more. I've always said it was important for me who I was working with, because I like to kid around a lot. But I've also learned to use my partner better. I'm feeling good. There's no reason to stop.

I feel very fortunate that I'm doing what I wanted to do from the third grade on. I became very interested in the sports broadcasting aspect even at that early age. I'd turn down the sound on the TV and do games in my house - and probably get everybody looking for me to go into a room and lock the door so they didn't have to hear it.

I've always felt that I shouldn't scream on the air...I just feel there's a way of rising enthusiastically if there's an exciting play, but you don't have to scream. There are people who do shout, and I think that's unnecessary. You have to be under control at all times, no matter what's taking place. Enthusiasm and excitement can be expressed without going berserk.

My strong game was ping pong. Relentless... steady.

In 1957, I was a 16-year-old office boy for the Dodgers.

It's impossible to work under conditions where they confused negativity with objectivity. You can't fool the fans.