I write a lot of children's verse and I think it delights in the language. It pleases people. It's very musical. It's very lyrical and that's certainly a very important aspect of poetry. But I think that a lot of it is verse. I write well-wrought verse.

When things aren't going well, I complain a lot and get depressed. I whine and I eat and I go to sleep. I do all kinds of things. And if I'm smart, I'll go and clean out a drawer or a closet or go and pay my bills. I do get myself into situations where I'm not happy with what's going on. But you just have to wait it out and have faith that that dry well will fill up again.

One thing about being a children's poet or a versifier, is that there is a large market for your wares. These things really made the rounds. I would meet people and they'd quote my poems to me. It's great.

I've always been a morning person, and what I don't get done in the morning I really don't get done at all.

A poem really does recreate the language, and that's what it has to do. A true poem, I think, has to give you that shiver. That, "yes, it's never been said quite that way before."

I always hesitate to call myself a children's poet, and I always hesitate to call what I write for children poetry. Though a few of the verses that I've written, yes, I think they are truly poems.

I don't really sit at the computer from scratch. I prefer to get my ideas in my fingers and I write longhand first.