Well we've got to do a lot of kung fu choreography, which was really cool. Like I have, you know, like the big hammer that I use, kind of like a staff in a sense. So I get to use that like a really cool weapon. Kung fu style. And it's just really fun to get to learn that and execute it in a way that looks cool on screen. It just feels really rewarding.

I can't say I was much of a gamer growing up or that I am now, but I'm certainly part of that culture or it's part of, you know, the sort of time that I grew up in.

In ballet, I felt that no matter how good I was, if I didn't have the right body type or if I didn't fit a certain mold there was nothing I could do.

Sometimes, with directors, you have to take what they say and translate it in your head, into something that makes sense to you, because you're speaking two different languages.

It's just about trying to find material where I'm doing more than just being a plot device. I want to actually get to do scenes that go to interesting places and are challenging to me.

I don't think people understand when you say you are making a micro-budget film that you are getting paid no money.

You have to believe that it is what you want to do with your life and you have to be dedicated to it.