Some of those things come out and you don't know where they came from - somebody's leaking totally false information. They follow you for years and you have to be like, "I don't know anything about that."

I do want to direct, eventually. I don't know if it will be a short film or a music video or a feature, but I know that I want to at least try it and see.

I can't say I was much of a gamer growing up or that I am now, but I'm certainly part of that culture or it's part of, you know, the sort of time that I grew up in.

I love anybody who's willing to stick to their own vision, their own voice, who's not easily swayed by money or by financers who are going to tell them what they should do.

I think these are such different films that it's hard to compare, because with Quentin we were all just like, it was like a party every day, you know, it was like that film was just like silly, it was just really for fun, it was really, it wasn't, you know, to make a huge impact. I t was just we wanted to have fun and go to work every day and do a fun movie. And this is like huge, I mean, this is like huge studio film, there's a ton of action, it's like really hard work.

Um, yeah, it's one of the things that you kind of have to accept at the very beginning, like I'm not going to try and be super [deep?] factor and no, I can only do it this way, because that's just not how this film's going to work. Like it's got to be sort of a mesh of reality and complete unreality and you kind of have to accept that and go with it.

My first movie was a movie that had a bunch of people dying in it - the typical popcorn movie. That's where I got my start.