When I was 10, my school did Romeo and Juliet. I was Juliet, and that was, like, the biggest deal ever. I was completely obsessed with the role.

I feel like it's so, sort of representative of a generation. I mean everything that they talk about in the books are things that I get. Even like a lot of the Canadian references because I've worked in Canada a lot, so I totally know Sloan and I know, you know, all this stuff, and meeting Chris Murphy was really cool, and yeah, everything.

You have to believe that it is what you want to do with your life and you have to be dedicated to it.

I found my way into the indie world a bit late in my career, but it was something that I was really passionate about doing.

My first movie was a movie that had a bunch of people dying in it - the typical popcorn movie. That's where I got my start.

The older I get, the more I'm drawn to the smaller films, but I still hope to keep bigger films in my repertoire. It's just maybe going to be a shift in focus, but I'll definitely still hopefully be kicking around in those.

Um, yeah, it's one of the things that you kind of have to accept at the very beginning, like I'm not going to try and be super [deep?] factor and no, I can only do it this way, because that's just not how this film's going to work. Like it's got to be sort of a mesh of reality and complete unreality and you kind of have to accept that and go with it.