When you're working on a film, it's almost like photographing paintings at a museum. You're photographing somebody else's world. I just try and interpret it and make it real, and make it what the actors are about, what the director is about, and what the film is about.

Reality is always extraordinary.

The obsessions we have are pretty much the same our whole lives. Mine are people, the human condition, life.

When I started out, it was considered very wrong to change an image. There were scandals if someone inserted a sky into a war picture or something. Now it's all about that.

Im just interested in what makes a photograph.

I wanted to travel from the beginning. As a kid, I used to dream about airplanes, before I ever flew in one.

I work in colour sometimes, but I guess the images I most connect to, historically speaking, are in black and white. I see more in black and white - I like the abstraction of it.