I became very aware of how important it is to connect with children - possibly for the children, if they're in the mood for that - but certainly for the adults.

Death is a big theme in the book, illness. What is that? It's a fact that human beings - no matter who they are, no matter how healthy or strong or beautiful they are - are going to age and become weak and ugly by a certain standard, and die. And I think that's a terrifying idea for people to get their minds around.

I remember the time I said, 'I don't think you love yourself. You need to learn to love yourself.'

I think, life is miserable.

I think people try to make the most of their time on earth and also to fix their time on earth. They try to fix external verities, things that are true for all time, ideas that are true for all time: Rome will last forever! America will last forever! Beauty, as defined by the fashion industry, is one of those things—this is beautiful. This will always be beautiful—and hold it in a way that has some sense of permanence about it, and absoluteness. And yet it’s not.

I think the closest thing I can come to defining what that vital thing is for me - is that there's a sort of soul-quality in writing, if it's any good. It has a spirit or an energy to it that is very integral to who the writer is on a deep level. It's almost a cellular thing. It takes place in the cells of the writing, and it is what makes it alive or not.

It's bizarre: I've tried to understand why people are into Trump. I really don't think I can. I don't think it's as simple as just racism. I do think there's a fear that white people have, even if they don't have a vicious desire to do harm to black people, they fear losing their top spot.